Three-Year Course - SID

Manifesto

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Education embraces the diversity of attitudes and knowledge, shaping a system of interconnected relationships. The teaching method is never singular—it continuously evolves and adapts.

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The interplay between disciplines deepens our understanding of both reality and the design process.

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Territory evolves through the synergy built among the individuals who inhabit it.

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Individual freedom is upheld and meaningfully valued.

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The coexistence of diverse languages and communities is guided by ethical and moral values, enabling collective growth.

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Crossing boundaries transforms ideas into action.

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Curiosity drives every act of design.

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Knowledge is inseparable from the individual and grows along with them.

Three-Years Course -> Scuola Italiana Design

SID—Scuola Italiana Design was founded in Padua in 1991 and is now an AFAM-accredited academic institute recognized by Ministero dell’Università e della Ricerca, authorized to award a First-Level Academic Diploma (equivalent to a Bachelor’s degree).
It is the educational division of Galileo Visionary District, a research and design hub focused on digital transformation and environmental sustainability, officially accredited by Regione Veneto for Higher Education.

SID—Scuola Italiana Design is a space for growth, where culture and design practice come together to shape designers capable of navigating complex and ever-evolving scenarios.
The course of study, free from rigid specializations, enables students to develop a transversal design approach—flexible and applicable across all design disciplines—going beyond traditional boundaries of scale and context.

The goal is to shape professionals with a critical mindset, solid technical skills, and a strong sense of responsibility toward the design process—ready to guide companies and society through meaningful and conscious change.

Design -> Designer

Being a designer means embracing real responsibility. Designing is observing, listening, writing, drawing, building, experimenting. It also means reading, imagining, traveling, choosing, questioning, studying, appreciating, rejecting, loving, using, and respecting.

The designer guides companies and communities through continuous evolution, addressing functional, economic, communicative, ethical, and cultural needs.
They stand out for their ability to move across disciplines, break down rigid boundaries, and adopt a flexible design approach. Their impact is tangible: they help transform scenarios, objects, and systems, actively accompanying society in its development.

Study plan

SID curriculum is designed to cultivate open, expansive thinking. Ettore Sottsass once said that before drawing a line, one must first learn to think. Achille Castiglioni believed that without curiosity, it was better not to begin at all. These principles shape our approach to teaching, which interweaves technical, practical, humanistic, social, and economic disciplines.

The Three-Year Course is grounded in interdisciplinarity, design culture, and experimentation, while embracing the opportunities offered by digital technologies—tools that have blurred the boundaries between two and three dimensions.
Classroom learning is complemented by off-site activities with tutors and professionals, broadening students’ perspectives and exposing them to diverse approaches and design mindsets.

Fondamenti

Il primo anno è un percorso di esplorazione guidata, in cui lo studente entra nel metodo progettuale sperimentando strumenti, tecniche e approcci diversi. Non è un semplice avvicinamento al design, ma un'immersione strutturata in tutte le sue dimensioni, per acquisire gradualmente la consapevolezza e le competenze necessarie a sviluppare un progetto.

Si parte dalle basi del disegno tecnico e dello sketching, per poi applicarle nei laboratori di tinkering, soft modeling e basic design. Al tempo stesso, si introducono strumenti concettuali fondamentali: tecniche di brainstorming, modelli di ricerca, analisi di mercato, storia dell’arte, antropologia e studi sociali. Ogni disciplina si intreccia con le altre, costruendo un bagaglio solido su cui poggeranno i successivi anni di formazione.

Questo primo anno non è un esercizio astratto, ma un passaggio essenziale per imparare a visualizzare, strutturare e dare forma alle idee, con metodo e visione critica.

Strumenti

Il secondo anno segna il passaggio dalla teoria alla costruzione del progetto. Se il primo anno insegna a dare forma alle idee, il secondo fornisce gli strumenti per trasformarle in qualcosa di concreto. Qui si affina la strategia progettuale e si acquisisce la padronanza tecnica necessaria per sviluppare concept solidi e realizzabili.

Gli studenti imparano a padroneggiare strumenti digitali e analogici come modellazione 3D, rendering, elaborazione delle immagini, AI generativa, grafica editoriale, UI/UX e tecniche di stampa e prototipazione. L’obiettivo è chiaro: saper modellare, plasmare e comunicare un progetto in modo efficace, traducendo un’idea in un prodotto o in un sistema visivo coerente.

A questa formazione si affianca il primo vero contatto con il mondo professionale, grazie alla collaborazione con le realtà del Galileo Visionary District. Attraverso corsi tenuti in sinergia con R&D Design, R&D Matech e Start Cube, gli studenti hanno l’opportunità di confrontarsi con start-up, ricercatori e ingegneri dei materiali, portando il loro lavoro oltre l’aula e sperimentandolo in contesti reali.

Progetto

Dopo due anni di metodo e strumenti, il terzo anno è il momento della vera progettazione. Non si tratta più solo di esercitarsi, ma di lavorare su sfide concrete in una dinamica immersiva, a stretto contatto con il mondo professionale.

La classe diventa una design agency, i docenti assumono il ruolo di art director, gli studenti quello di junior designer. Ogni progetto nasce da un'esigenza reale e viene sviluppato in risposta ai Laboratori di Progetto, brief assegnati direttamente dalle aziende partner di SID. Con oltre 350 realtà coinvolte, il terzo anno è un’opportunità per applicare conoscenze e competenze in contesti reali, sperimentando il processo progettuale dalla ricerca alla presentazione finale.

Ma è anche molto di più: un ponte verso il mondo del lavoro. Il terzo anno è una vetrina per gli studenti, che hanno l’occasione di entrare in contatto diretto con aziende e professionisti, costruendo relazioni e opportunità concrete per il proprio futuro professionale.

Format

SID adopts a structured system of teaching formats that guide students’ work and ensure a consistent approach to design. Each activity follows a defined method—providing students with the tools to tackle design challenges in various contexts, and enabling instructors, all active professionals, to bring their real-world experience into the classroom.

Activities are structured into Co-design Labs, Workshops, Camps, and Summer Schools.
Co-design Labs are part of the academic curriculum and allow students to work on real-world briefs in collaboration with companies and industry professionals.
Workshops and Camps are extracurricular experiences held at different times of the year—some of which are mandatory—and offer immersive, hands-on learning opportunities.
Summer Schools are on-demand programs reserved for top-performing students, providing additional space for advanced training and recognition.

These formats are carried out both within the school and in selected locations, with the aim of offering a comprehensive educational experience, alternating between immersive design moments and opportunities for discussion and discovery of the area.

SID—Scuola Italiana Design prepares designers who are ready to enter the workforce, with a high employment rate upon completion of the Three-Year Course.

> Explore career paths and get to know the SID alumni community.

Organization chart

Presidente

Paolo Giopp

Paolo Giopp

Direzione

Emiliano Fabris

Emiliano Fabris

Consiglio di Amministrazione

Francesca Bozzato

Andrea Busato

Emiliano Fabris

Paolo Giopp

Francesca Bozzato

Andrea Busato

Emiliano Fabris

Paolo Giopp

Didattica

Andrea Maragno

Cesar Arroyo

Andrea Maragno

Cesar Arroyo

Management

Katia Fasolo

Alessio Zini

Steve Azzalin

Cesar Arroyo

Andrea Busato

Katia Fasolo

Alessio Zini

Steve Azzalin

Cesar Arroyo

Andrea Busato

Comitato di ricerca

Steve Azzalin

Andrea Maragno

Andrea Busato

Emiliano Fabris

Paolo Giopp

Steve Azzalin

Andrea Maragno

Andrea Busato

Emiliano Fabris

Paolo Giopp

Consiglio Accademico

Julius Cortivo

John Boldrin

Giulia Turra

Eva Tenan

Andrea Maragno

Cesar Arroyo

Emiliano Fabris

Paolo Giopp

Julius Cortivo

John Boldrin

Giulia Turra

Eva Tenan

Andrea Maragno

Cesar Arroyo

Emiliano Fabris

Paolo Giopp

Nucleo di Valutazione

Joseph Carci

Massimo Castagnaro

Chiara Grandesso

Joseph Carci

Massimo Castagnaro

Chiara Grandesso

Consulta studenti

Francesca Bozzato

Julius Cortivo

John Boldrin

Francesca Bozzato

Julius Cortivo

John Boldrin

Anno I

Scott Alan Stuart

Riccardo Maistrello

Giulia Turra

Tommaso Russo

Luca Ferigo

Luca Trombin

Giulio Simeone

Irene Sgarro

Lorenzo Mason

Eva Tenan

Eugenio Farina

Dario De Meo

Cesar Arroyo

Andrea Busato

Scott Alan Stuart

Riccardo Maistrello

Giulia Turra

Tommaso Russo

Luca Ferigo

Luca Trombin

Giulio Simeone

Irene Sgarro

Lorenzo Mason

Eva Tenan

Eugenio Farina

Dario De Meo

Cesar Arroyo

Andrea Busato

Anno II

Enrico Giolo

Matteo Formentini

Tommaso Morbiato

Paola Amabile

Tobias Jurgen Nitsche

Alessio Abdolahian

Christopher Century

Luca Fattore

Chiara Grandesso

Scott Alan Stuart

Giulia Turra

Luca Ferigo

Luca Trombin

Giulio Simeone

Eva Tenan

Eugenio Farina

Dario De Meo

Enrico Giolo

Matteo Formentini

Tommaso Morbiato

Paola Amabile

Tobias Jurgen Nitsche

Alessio Abdolahian

Christopher Century

Luca Fattore

Chiara Grandesso

Scott Alan Stuart

Giulia Turra

Luca Ferigo

Luca Trombin

Giulio Simeone

Eva Tenan

Eugenio Farina

Dario De Meo

Anno III

Marco Cellini

Alessandro Carraro

Giuseppe Brofferio

Alessandro Busana

Stefano Claudio Bison

Matteo Zorzenoni

Stefano Traverso

Enrico Sorio

Cesare Bizzotto

Chiarajenny Dellomonaco

Lucrezia Stocco

Francesca Perpetuini

Fabio Furlanis

Maira Passuello

Dominic Fucigna

Christopher Century

Scott Alan Stuart

Andrea Maragno

Cesar Arroyo

Sonia Tasca

Andrea Busato

Marco Cellini

Alessandro Carraro

Giuseppe Brofferio

Alessandro Busana

Stefano Claudio Bison

Matteo Zorzenoni

Stefano Traverso

Enrico Sorio

Cesare Bizzotto

Chiarajenny Dellomonaco

Lucrezia Stocco

Francesca Perpetuini

Fabio Furlanis

Maira Passuello

Dominic Fucigna

Christopher Century

Scott Alan Stuart

Andrea Maragno

Cesar Arroyo

Sonia Tasca

Andrea Busato

Segreteria

Sara Guerriero

Alessandra Bortoli

Tatiana Nicoletto

Sara Guerriero

Alessandra Bortoli

Tatiana Nicoletto

Biblioteca

Sara Guerriero

Sara Guerriero

Ricercatori

Giulia Boscolo Chielon

Lucia Griggio

Mattia Giulio Canola

Giulia Ghisa

Sara Griggio

Marco Selmin

Lisa Pravato

Francesco Angeloni

Alice Azzolin

Chiarajenny Dellomonaco

Giulia Boscolo Chielon

Lucia Griggio

Mattia Giulio Canola

Giulia Ghisa

Sara Griggio

Marco Selmin

Lisa Pravato

Francesco Angeloni

Alice Azzolin

Chiarajenny Dellomonaco

Consulenti

Manuela Soccol

Richard Sandre

Alessandro Zanella

Stephen Noventa

Manuela Soccol

Richard Sandre

Alessandro Zanella

Stephen Noventa

Bring your experience into the classroom and help shape the next generation of designers.

-> Discover the open positions and become a SID lecturer

History

1991

Fondazione Scuola Italiana Design

1993

Riconoscimento del Corso Triennale in Design Industriale.

1998

Inaugura il format 
del Workshop

2001

SID entra a far parte di Galileo Visionary District

2003

Galileo ente accreditato dalla regione del Veneto per la formazione superiore

2015

Riprogettazione piano didattico e aree disciplinari

2023

Scuola Italiana Design diventa ISIA

2025

Una nuova sede per Scuola Italiana Design

The new campus

Starting in September 2025, SID—Scuola Italiana Design will relocate to its new home inside the “La Cittadella” Business Center in Padua, at Via Masini 8. The project—promoted by Camera di Commercio di Padova and supported by a €3.4 million investment—marks a strategic step forward for the school and the entire Galileo Visionary District ecosystem.
The goal is to create a state-of-the-art learning environment that meets the evolving needs of contemporary design. The 1,500-square-meter space will include classrooms, research and development labs, collaborative work areas, a lecture hall, a relaxation zone, and a multimedia library—spaces designed to spark creativity and dialogue among students, faculty, and companies.
The new headquarters is part of the larger project of the “Blue Mile of Innovation,” a hub dedicated to technological development and contamination between skills, positioning itself as a reference point for advanced training in design and communication.
This move marks a new chapter for SID—Scuola Italiana Design: a space conceived to train designers ready to lead change.

The current campus

SID—Scuola Italiana Design is currently based in Padua, in a strategic area that bridges the city’s cultural and industrial fabric. The location is designed to provide students with a dynamic environment, featuring dedicated spaces for design, prototyping, and study.

In addition to its classrooms, the school features fully equipped labs for modeling and digital manufacturing, dedicated spaces for advanced design technologies, and an extensive academic library. These environments support a hands-on approach to design, enabling students to experiment, explore, and refine their skills throughout every stage of their learning journey.

Prototyping Lab

The Joe Colombo Prototyping Lab is SID—Scuola Italiana Design’s in-house space dedicated to prototyping and 3D modeling.
Here, students have access to tools and machinery for working with a wide range of materials—from plastics to wood to composites—exploring both traditional techniques and advanced technologies.

This space plays a vital role in design education: it allows students to test ideas, build physical models, and refine their technical skills through a hands-on, iterative process.
The Prototyping Lab is a meeting point between thought and matter—a place where design takes shape through manual work and direct experimentation.

Digital Rooms

SID’s Digital Rooms are environments designed to support the integration of design and digital tools. Each space is tailored to the needs of specific disciplinary areas: the Bruno Munari Digital Classroom is dedicated to visual communication and graphic design, while the Achille Castiglioni Digital Classroom is focused on product design.

Students have access to professional software including Adobe Creative Suite, Figma, AutoCAD, Rhinoceros, Fusion 360, KeyShot, and the latest generative AI tools for visualization—such as Vizcom and other emerging platforms.
SID provides comprehensive software licenses to all students, which can also be installed on personal devices and remain valid for four years, ensuring learning continuity even after completing the Three-Year Course.

These spaces foster the development of advanced digital skills—essential for designing with both awareness and precision.

Library

The Marco Zanuso Library at SID—Scuola Italiana Design is a private academic library created to offer students a rich collection of specialized resources on all aspects of design and related disciplines—from anthropology and sociology to product management and applied technologies.

It includes over 450 volumes on design and related fields, more than 1,900 specialized journals covering design, communication, and technological innovation, as well as unique historical collections—such as the full archive of DOMUS magazine, with over 500 issues dating back to 1963.

In addition to being a space for study and research, the library also serves as a coworking area where students can work independently or in groups. One of SID’s exclusive assets is housed here: the SID Portfolio section—a curated archive of theses, individual projects, and work developed by students during Co-design Labs, Workshops, and Camps from 2015 to the present.

The library also manages the Prototype Archive, which preserves a selection of the most outstanding student projects—both in physical and digital format—dating back to 2015.

Through SID’s subscription to the MLOL platform, students and faculty have access to over 2,500 digital volumes dedicated to design—further expanding opportunities for research and in-depth study.

Poplab

Poplab is SID’s external reference lab, specialized in digital manufacturing and advanced prototyping. Equipped with a dedicated fleet of machines, Poplab supports students in developing complex projects involving 3D modeling, augmented reality, and virtual reality—enhancing prototyping capabilities in both exploratory and pre-production phases.

In addition to supporting large-scale prototyping, Poplab is a space for research and experimentation—where design intersects with emerging technologies.
Thanks to its close collaboration with SID, students gain access to specialized expertise and cutting-edge tools, expanding their design capabilities and introducing them to advanced digital fabrication methodologies.

Poplab also hosts a variety of extracurricular activities organized throughout the academic year, including Workshops and Camps. It is also the home of the SID Specialization Courses—advanced training programs designed to explore specific areas of design and planning in greater depth.

Documents
and Student Services

In this section you will find all the official documents of SID-ScuolaItaliana Design, useful for orienting you on your academic path. Here you can consult the teaching regulations, admission procedures, evaluation criteria, the study manifesto and the rules governing the interaction between students, teachers and the structure.

-> Statute
-> Academic Regulations
-> Student Support and Rights
-> Transparency and Governance
-> Academic Council
-> Organization
-> SID Students’ Review
-> Internationalization
-> Third Mission
-> Annual Report – Evaluation Board